| ID | Interpret | Skladba | Album | |
| 151. | Frans Bruggen | W. Beukers Soprano - Frans Bruggen | Frans Br?ggen Edition, Vol.4: Early Baroque Recorder Music |  |
| 152. | Giovanna Piccioni | Domenico Scarlatti: Un punto di vista spagnolo. Incontro col Maestro Emilio Moreno | Beni Musicali | |
| 153. | FUCK G0LDz | on fait semblant ft Soprano(EXTRAIT QUAL CD | 2008-BY POPOF | |
| 154. | IV. Ode Anacreonitique, Allegro Energico | Four Songs For Mezzo-Soprano And Chamber Ensemble | Ethel Smyth: Chamber Music And Lieder, Volume III | |
| 155. | IV. Ode Anacreonitique, Allegro Energico | Four Songs For Mezzo-Soprano And Chamber Ensemble | Ethel Smyth: Chamber Music And Lieder, Volume III | |
| 156. | Andreas Kung | Kung Studio Folklora pear soprano in Bb | Replay Music 2007-09-06 | |
| 157. | The Providence Presbyterian Church Choir | SPECIAL MUSIC God Bless America Patricia Meilands, Soprano | SPECIAL MUSIC God Bless America Patricia Meilands, Soprano | |
| 158. | Elizabeth Parcells | Quatour IV for string trio and high soprano by Betsy Jolas | In Concert | |
| 159. | revisione di Luca Bianchini e Anna Trombetta - Italian Opera (2002) | Pietro Mascagni - In filanda (1881), Canzone per soprano di Ninetta: | | |
| 160. | Gertrude Sylva | Thémes et variations [Thema und Variationen, soprano, flute, orchestra, op. 164] | Cylindres Edison Moulés Sur Or: 17770 | |
| 161. | Elizabeth Parcells | Bachianas Brasileiras No. 5 for soprano, chello, and orchestra by Heitor Villa-Lobos | In Concert | |
| 162. | Elizabeth Parcells | Bachianas Brasileiras No. 5 for soprano, chello, and orchestra by Heitor Villa-Lobos | In Concert | |
| 163. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Wie lieblich sind deine Wohnungen", Choru | Brahms: German Requiem | |
| 164. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Wie lieblich sind deine Wohnungen", Choru | Brahms: German Requiem | |
| 165. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Denn alles Fleisch es ist wie Gras", Chor | Brahms: German Requiem | |
| 166. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Denn alles Fleisch es ist wie Gras", Chor | Brahms: German Requiem | |
| 167. | Elizabeth Parcells | Cantata della fiaba estrema for chorus, orchestra and high soprano by Hans Werner Henze | In Concert | |
| 168. | Elizabeth Parcells | Cantata della fiaba estrema for chorus, orchestra and high soprano by Hans Werner Henze (b. 1926) | In Concert | |
| 169. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Denn wir haben hier keine bleibende statt | Brahms: German Requiem | |
| 170. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Denn wir haben hier keine bleibende statt | Brahms: German Requiem | |
| 171. | Kathleen Battle, Wynton Marsalis, Anthony Newman, John Nelson; Orchestra Of St. Luke's | A. Scarlatti: Arias Con Tromba Sola - 1. Si Suoni La Tromba | Baroque Duet | |
| 172. | Stu Gotz & The Dude on the Right | Stu & The Dude's Weekend Wrap-Up!: Soprano Analysis, Stu Gets Exercise, The Dude's Cable Woes, and Big & Rich do AC/DC | The Entertainment Ave! Podcast | |
| 173. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Selig sind die da Lied tragen", Chorus | Brahms: German Requiem | |
| 174. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Selig sind die da Lied tragen", Chorus | Brahms: German Requiem | |
| 175. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Selig sind die Toten", Concluding Chorus | Brahms: German Requiem | |
| 176. | Kegel, Herbert | Ein deutsches Requiem , for soprano, baritone, chorus & orchestra, Op. 45: "Selig sind die Toten", Concluding Chorus | Brahms: German Requiem | |
