ID | Interpret | Skladba | Album | |
181. | Various Speakers | Conflict Prevention and Resolution Forum: The Global Peace Index: Its Value and Implications, and the Next Steps | Johns Hopkins SAIS Events - Summer 2007 | |
182. | Alex Wunschel | Blick 178 ARD-ZDF-Onlinestudie, Playboy-Verlosung, Twitter Brand Index und Facebook-Gangster | Tellerrand | |
183. | Rev. James Bridges | Living a Life with No Regrets | Guest Speakers (2008) | |
184. | Daniel Mermet | Les regrets - Pierre Marcelle | Pierre Marcelle - 01 mar 06 | |
185. | Terror Pigeon Dance Revolt | Fast Forward Regrets | We're Humans.. Be Awesome! | |
186. | Berlioz, Hector | Sans regrets j'ai quitté | La damnation de Faust | |
187. | The Terror Pigeon Dance Revolt! | Fast Forward Regrets. | We're Humans: BE Awesome! | |
188. | The Terror Pigeon Dance Revolt! | Fast Forward Regrets. | We're Humans: BE Awesome! | |
189. | James Yorkston | Tortoise Regrets Hare | When the Haar Rolls In | |
190. | Ron Silliman | Three Regrets for George Oppen | A Celebration of George Oppen's 100th Birthday, the Kelly Writers House, April 7, 2008 | |
191. | recollections Kanon arrange best album | Last regrets -acoustic version- | | |
192. | Terror Pigeon Dance Revolt | Fast Forward Regrets | We're Humans.. Be Awesome! | |
193. | Ron Silliman | Three Regrets for George Oppen | A Celebration of George Oppen's 100th Birthday, the Kelly Writers House, April 7, 2008 | |
194. | Guy Finley | New Understanding To Outgrow Your Regrets | Guy Finley 2009-07 | |
195. | Ella Fitzgerald | Miss Otis Regrets | Remixes | |
196. | Edith Piaf | Miss Otys Regrets | Accordeon: l'Integrale Disc 17 | |
197. | Ella Fitzgerald | Miss Otis Regrets | | |
198. | Rev. James Bridges | Living a Life with No Regrets | Guest Speakers (2008) | |
199. | Mark Ferguson | 2008-08-03 No Reserves Retreats Regrets | 2008-08-03 No Reserves Retreats Regrets | |
200. | The Moog Synthesizer with The Camarata Contemporary Chamber Orchestra | Chapitres Tournes En Tous - III Regrets des Enfermes | The Electronic Spirit of Erik Satie | |