ID | Interpret | Skladba | Album | |
61. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? | |
62. | American Watercolor Movement | Sweet Thursday | It Takes 15 To Tango In My Book, What Book Do You Read? | |
63. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? | |
64. | American Watercolor Movement | She Danced Like A Demon | It Takes 15 To Tango In My Book, What Book Do You Read? | |
65. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
66. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
67. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
68. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
69. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
70. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
71. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |
72. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
73. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
74. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
75. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
76. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
77. | I Forgot | Chex Mix | Eagle God Book Book | |
78. | I Forgot | Why Are You Alone? | Eagle God Book Book | |
79. | I Forgot | To Use Josh | Eagle God Book Book | |
80. | I Forgot | Erection | Eagle God Book Book | |
81. | I Forgot | My Pencil | Eagle God Book Book | |
82. | I Forgot | Sea | Eagle God Book Book | |
83. | Cohen, Lawrence, Krapp | Welcome and Introductions | Text & Image: From Book History to the Book is History | |
84. | Emily Rosenberg | Introduction to History | Text & Image: From Book History to the Book is History | |
85. | Robin Chandler | University of California Libraries and the Implication of Mass Digitization | Text & Image: From Book History to the Book is History | |
86. | Chandler, Dooley, Tanji | Collections questions | Text & Image: From Book History to the Book is History | |
87. | Barbara Cohen | Conference closing remarks | Text & Image: From Book History to the Book is History | |
88. | Edward Ayers | Seeing History | Text & Image: From Book History to the Book is History | |
89. | Jackie Dooley | The Real Stuff: Why Original Artifacts Still Matter | Text & Image: From Book History to the Book is History | |
90. | Anne Burdick | Composite Reading: Text and/as Image | Text & Image: From Book History to the Book is History | |