ID | Interpret | Skladba | Album | |
61. | Jerome Rothenberg | Introduction | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
62. | Jerome Rothenberg | Jewish identity | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
63. | Jerome Rothenberg | Travel and elegy | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
64. | Jerome Rothenberg | Secularism and poetics | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
65. | Jerome Rothenberg | Travel and elegy | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
66. | Jerome Rothenberg | Poetry and Treblinka | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
67. | Jerome Rothenberg | Technicians of the Sacred | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
68. | Jerome Rothenberg | Jewish Dream | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
69. | Ian Frazier | Discussion with Ian Frazier | Discussion with Ian Frazier at the Kelly Writers House April 18, 2006 | |
70. | Jerome Rothenberg | Contemporary American avant-poetics | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
71. | Jerome Rothenberg | Tensions with the avant-garde | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
72. | Jerome Rothenberg | Robert Duncan | Kelly Writers House Fellows; Discussion, April 29, 2008 | |
73. | Michael Cunningham | On Reading Virginia Wolf for the First Time | Discussion with Michael Cunningham at the Kelly Writers House, February 12, 2002 | |
74. | Michael Cunningham | Reading from Home at the End of the World | Discussion with Michael Cunningham at the Kelly Writers House, February 12, 2002 | |
75. | Michael Cunningham | Reading from Home at the End of the World | Discussion with Michael Cunningham at the Kelly Writers House, February 12, 2002 | |
76. | Michael Cunningham | Discussion with Michael Cunningham | Discussion with Michael Cunningham at the Kelly Writers House February 12, 2002 | |
77. | Michael Cunningham | On Reading Virginia Wolf for the First Time | Discussion with Michael Cunningham at the Kelly Writers House, February 12, 2002 | |
78. | Robert Creeley | Influences | Kelly Writers House discussion and interview with Robert Creeley, KWH, April 11, 2000 | |
79. | Robert Creeley | On Using Monologue | Kelly Writers House fellows program discussion and interview with Robert Creeley, KWH, April 11, 200 | |
80. | Robert Creeley | Introduction by Al Filreis | Kelly Writers House fellows program interview and discussion with Robert Creeley, KWH, April 11, 2000y a | |
81. | Robert Creeley | Anger in Williams and its Impact | Kelly Writers House fellows program discussion and interview with Robert Creeley, KWH, April 11, 2000 | |
82. | Robert Creeley | on Bob Dylan | Kelly Writers House fellows program discussion and interview with Robert Creeley, April 11, 2000 | |
83. | Robert Creeley | Form as an Expression of Content | Kelly Writers House fellows program discussion and interview with Robert Creeley, KWH, April 11, 2000 | |
84. | Robert Creeley | Making it New | Kelly Writers House fellows program discussion and interview with Robert Creeley, KWH, April 11, 2000 | |
85. | Robert Creeley | Using Tools to Objectify Writing | Kelly Writers House fellows program discussion and interview with Robert Creeley, April 11, 2000 | |
86. | Robert Creeley | On Hearing Poems Read | Kelly Writers House fellows program discussion and interview with Robert Creeley, KWH, April 11, 2000 | |
87. | Robert Creeley | Anger in Williams and its Impact | Kelly Writers House fellows program discussion and interview with Robert Creeley, KWH, April 11, 2000 | |
88. | Robert Creeley | Poems of Memory and Assumption | Kelly Writers House fellows program discussion and interview with Robert Creeley, April 11, 2000 | |
89. | Robert Creeley | on Denise Levertov | Kelly Writers House fellows program discussion and interview with Robert Creeley, KWH, April 11, 2000 | |
90. | Robert Creeley | Using Tools to Objectify Writing | Kelly Writers House fellows program discussion and interview with Robert Creeley, April 11, 2000 | |