| ID | Interpret | Skladba | Album | |
| 31. | Radio Nizkor | - | Chl - Liliana Mason de la Coord Nacional de ex presos pol�ticos, explica las consecuencias del informe sobre la tortura. |   |
| 32. | Radio Nizkor | couso | Esp - La Audiencia Nacional ordena la detención de tres militares norteamericanos en el Caso Couso. | |
| 33. | Radio Nizkor | melchor | Esp - Scilingo finge estar enfermo para evitar ser interrogado. | |
| 34. | Radio Nizkor | - | Esp - The Trial in the Case of Retired Vessel Captain a Scilingo Begins | |
| 35. | Radio Nizkor | - | Esp - The Trial in the Case of Retired Vessel Captain a Scilingo Begins | |
| 36. | Radio Nizkor | - | Chl - Entrevista a El�as Padilla sobre las consecuencias iniciales del Informe sobre la Tortura. | |
| 37. | James Moody | James Moody talks about when he became interested in music | Oral History | |
| 38. | James Moody | The circumstances under which Moody recorded Moody's Mood for Love | Oral History | |
| 39. | Dan Morgenstern | Dan Morgenstern discusses his role as the editor of Downbeat. | Oral History | |
| 40. | James Moody | James Moody discusses what he would do if he could do anything | Oral History | |
| 41. | James Moody | Jazz at the Philharmonic with Moody, Clark Terry, and T-Bone Walker: "Woman, you must be crazy." | Oral History | |
| 42. | Dave Brubeck | Dave Brubeck discusses his move from Fantasy to Columbia Records. | Oral History | |
| 43. | Oral Complex | Approaching Guinnlessness | Oral Complex at the L.M.C. | |
| 44. | Clyde Dunkob | Hydrophonics on Three Levels - Symphony Number One | Oral Complex at the L.M.C. | |
| 45. | James Moody | James Moody describes how he would like to be remembered | Oral History | |
| 46. | Clive Fencott | London Building & Home Improvement | Oral Complex at the L.M.C. | |
| 47. | Clive Fencott | East Coast/West Coast | Oral Complex at the L.M.C. | |
| 48. | Oral Complex | Lotta Bottle | Oral Complex at the L.M.C. | |
| 49. | Dan Morgenstern | Dan Morgenstern describes discovering a record of Coleman Hawkins singing. | Oral History | |
| 50. | Dan Morgenstern | Dan Morgenstern talks about becoming interested in jazz after the war. | Oral History | |
| 51. | Dan Morgenstern | Dan Morgenstern remembers his first encounter with jazz. | Oral History | |
| 52. | Dave Brubeck | Dave Brubeck talks about the inspiration for Blue Rondo a la Turk. | Oral History | |
| 53. | Dave Brubeck | Dave Brubeck discusses meeting Stan Kenton for the first time. | Oral History | |
| 54. | Roy Haynes | Roy Haynes describes how he avoided being drafted to the Army. | Oral History | |
| 55. | Roy Haynes | Roy Haynes talks about playing at the Apollo Theater. | Oral History | |
| 56. | Roy Haynes | Roy Haynes tells what Lester Young calls a job. | Oral History | |
| 57. | Roy Haynes | Roy Haynes wants Sonny Rollins to call him back. | Oral History | |
| 58. | Roy Haynes | Roy Haynes talks about John Coltrane. | Oral History | |
| 59. | Dan Morgenstern | Dan Morgenstern discusses how he began collecting jazz books. | Oral History | |
| 60. | Dave Brubeck | Dave Brubeck describes the difficulty of getting a phone after WWII. | Oral History | |
