| ID | Interpret | Skladba | Album | |
| 1. | American Watercolor Movement | She Danced Like A Demon | It Takes 15 To Tango In My Book, What Book Do You Read? |  |
| 2. | American Watercolor Movement | Sweet Thursday | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 3. | American Watercolor Movement | C'est La Vie Gueule De Fuch | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 4. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 5. | American Watercolor Movement | Roman Coin | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 6. | American Watercolor Movement | Because Of What You Wear | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 7. | American Watercolor Movement | It Takes Fifteen To Tango In My Book | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 8. | American Watercolor Movement | Flowers For Catalan | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 9. | American Watercolor Movement | C'est La Vie Gueule De Fuch | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 10. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 11. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
| 12. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
| 13. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
| 14. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 15. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 16. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |
| 17. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 18. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
| 19. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
| 20. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
| 21. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 22. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
| 23. | I Forgot | Erection | Eagle God Book Book | |
| 24. | I Forgot | Chex Mix | Eagle God Book Book | |
| 25. | I Forgot | To Use Josh | Eagle God Book Book | |
| 26. | I Forgot | My Pencil | Eagle God Book Book |  |
| 27. | I Forgot | Why Are You Alone? | Eagle God Book Book | |
| 28. | I Forgot | Sea | Eagle God Book Book | |
| 29. | Cohen, Lawrence, Krapp | Welcome and Introductions | Text & Image: From Book History to the Book is History | |
| 30. | Anne Burdick | Composite Reading: Text and/as Image | Text & Image: From Book History to the Book is History | |
